The Collections explained
Fine Art Photography Collections for Considered Interiors
Three Ways a Space Can Feel
Every interior tells a story through light, tone and atmosphere.
My work is curated into three collections: High-Key, Low-Key and Wildlife, not as photographic styles, but as distinct ways of shaping how a space feels to live in. Each collection offers a different emotional and spatial response, allowing you to choose artwork that supports the mood, light and rhythm of your interior.
Explore the Dark Series collection
Low-key landscape photography, rich in atmospheric contrast.
The Dark Series
Depth. Contrast. Presence.
Explore my Dark Series collection, Low-Key works introduce weight and visual grounding. Strong contrasts and darker tonal palettes create focus and drama, anchoring a space and drawing the eye. These pieces work as intentional focal points introducing darkness, atmosphere, and delightful drama, complementing rich materials, architectural lines and layered lighting. it enhances darker interiors or adds impact to neutral schemes; ideal for those seeking a strong yet understated statement.
Well suited to interiors that call for intimacy, strength or a sense of quiet confidence.
Home is where the heart is
Taken at Moine House - Sutherland, in the Scottish Highlands, near the Kyle of Tongue and Loch Hope
The remains of what was once a functioning building, now just walls remaining in the most beautiful location! The Moine House name derives from the Gaelic word mòine which means "moss" or "peat." The house sits on the edge of a vast bog that covers much of Sutherland and Caithness, known as Flow Country. The long stretch of bog between the Kyle of Tongue and Loch Hope was often referred to as A' Mòine, simply meaning "The Moss."
This area was difficult and dangerous for travelers to traverse until the 1830s when the Duke of Sutherland had a road constructed. The Mòine House was designed along the edge of this road as a shelter for travelers at the halfway point of the roadway.
Although known for taking in weary travelers, the tiny house was also a family home. Around the late 19th-century, an old forester and his family of eight children and grandchildren lived at the residence. There is a worn plaque on the east-facing wall commemorating the building of the house.
With Mountains as a backdrop, sitting high up on the coast looking westward out to sea, it’s wonderfully placed. This was a moody winter Blue hour long exposure at sunrise.
